Tosca Children's Chorus Auditions - sign up starting Aug. 31

We had a call today from a mother who wanted information about opportunities for her daughter to sing. And the good news is, we have a great program in which budding young vocalists can shine!

We're hosting auditions on Sunday, September 20 for the children's chorus and a solo treble role in Puccini's Tosca. Boys (with unchanged voices) and girls aged 7 - 17 are invited to audition at the Wortham Theater Center. You need to sign up in advance, read on for more information or visit us online at www.houstongrandopera.org/childrenschorus.

The opera is sung in Italian and conducted by Patrick Summers. Rehearsals start in November 2009; performances begin January 22, 2010 and run through February 7, 2010.

Children’s Chorus director for the production is Karen Reeves.
Audition Date: Sunday, September 20, 2009 from 1:00 PM – 6:00 PM
Audition Location: Wortham Theater Center
510 Preston Avenue, 6th floor
Houston, TX 77002

For this audition, the child should be prepared to sing from memory a song of his/her choice, in a non-belt style. Each child should bring a copy of their music for the pianist, whom the Opera will provide. Taped accompaniment will not be used. Individuals who wish to arrange an audition time or who want further information should contact the Opera's Rehearsal Department at 713-980-8679, beginning Monday, August 31, 2009.
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How much drama can YOU create in 3 minutes?

HGO wants to put you in the director's chair!

Now this sounds cool - if only I was adept at video editing...

Choose an opera from HGO's 09/10 season and create a video that tells the story in three minutes or less. The only limit is your imagination -- and the laws of the land. Upload your video to HGO's Facebook page by September 15, 2009. Winners will receive opera tickets, fabulous prizes and at least fifteen seconds of fame.

The opera plots from which you may choose include: Donizetti's Elixir of Love; Wagner's Lohengrin; Puccini's Tosca; Britten's The Turn of the Screw; Tchaikovsky's The Queen of Spades; and Handel's Xerxes. So, let's see what you can do!

Click on "Read More" for more information about how to enter, or visit us online at: http://www.houstongrandopera.org/videocontest.

Upload your video to Houston Grand Opera’s Facebook Event Page at http://www.facebook.com/events.php?ref=sb (“Web site”) between 12:01 a.m. CST 8/11/09 and 11:59 p.m. CST 9/15/09.

Log into your Facebook account or register with Facebook. You must be a member of the Facebook Web site and comply with its terms and conditions to enter the contest. Membership to the Facebook Web site is free.

Once you have successfully logged in to Facebook and view HGO’s Video Contest Event Page, select “Attending” in the Your RSVP box on the right-hand side of the screen. Click the “Add Videos” button in the Videos section and follow the onscreen instructions to enter and upload your video submission. You may need to refresh your browser after selecting “Attending” in the RSVP box to see the Videos section.

By submitting an entry, a winner agrees to allow use of his or her entry, name and/or likeness for advertising this or similar promotions without compensation, unless prohibited by law. All entries and all rights of ownership and publication of same will become the property of Houston Grand Opera and will not be returned.

For more details, a list of rules and all applicable regulations visit us online at: http://www.houstongrandopera.org/videocontest.

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Opera to Go! delivers, starting Oct. 5

One of HGOco's most visible programs is Opera to Go!, which brings 45-minutes of fully-staged, high-energy opera to classrooms and community centers all over Texas. We've had lots of blog posts in the past about OTG (the short form that we often use here in the office) so I won't go into it too much. Suffice it to say, we've got two GREAT operas lined up for the fall.

Hansel and Gretel, the perennial favorite for people of all ages, begins touring on October 5. The cast is full of entertaining characters, one of which is an allergy-prone fairy godmother. Luckily it's not hard to find a singer who has allergies in Houston in the fall! Just kidding, it's all part of our singer's exceptional acting ability.

We're also presenting an opera that's new to Houston, it's called How Nanita Learned to Make Flan. This one is performed in a combination of English and Spanish, and it involves a pair of magic shoes, a talking parrot and the secret behind delicious flan. Know any places in Houston where we can get some good-tasting flan? Let us know! Want to share your grandmother's "secret" recipe? Post it to comments.

If you want to schedule a performance of either Hansel and Gretel or Nanita at your school or community center, visit the Opera to Go! page at www.houstongrandopera.org/hgoco
.

To schedule an Opera to Go! performance, download an ORDER FORM, and email or fax it back to us!

1 performance $450 / 2 performances of same opera back-to-back $700
Maximum audience capacity is 300. Mileage charge for sites 35+ miles outside downtown Houston.

INFORMATION: ksmith@houstongrandopera.org or call 713-546-0230


Fall Tours: October 5 - December 18, 2009

Hansel and Gretel

Composer: Engelbert Humperdinck Adaptation: Kate Pogue

For Elementary and Middle Schools. This beloved fairy tale, full of magic and musical mischief, takes us to a world with gingerbread houses and not-so-nice little old ladies. In English.


How Nanita Learned to Make Flan

Composer: Enrique Gonzalez-Medina Libretto: Campbell Geeslin

For Elementary and Middle Schools. Nanita makes a pair of shoes that magically transport her far away from home. With the help of an Old Woman and parrot, she returns home and learns the secret of making delicious flan.


How Nanita Learned to Make Flan will also be at the Miller Outdoor Theatre Sept. 28 through Oct. 2 at 11 AM daily.


Spring Tours begin January 25, 2010

Cinderella in Spain / Cenicienta en EspaƱa

Composer: Mary Carol Warwick Libretto:Kate Pogue

For Elementary and Middle Schools. Available Jan 25 - May 28, 2010.
Glass slippers, pumpkins and magical transformations...don't miss the allergy-prone fairy godmother and an unusual pair of evil stepsisters! In English and Spanish.


WORLD PREMIERE: an opera in conjunction with Song of Houston's Mexico 2010

For Middle and High Schools. Available mid February 2010 - May 7, 2010.
A 3,000-mile journey begins following a magical transformation. How does a butterfly find the home it has never seen, but one that its ancestors have inhabited for thousands of years? In English and Spanish.

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A New Season - Our New Look

HGOco is back in the blogosphere after a busy summer. Since the HGO mainstage season finished last May, we've hosted or co-hosted 6 summer camps, squeezed in a bit of vacation, and spent lots of time planning some great programs that begin shortly.


This is a new look for our blog, with some new functionality. Let us know what you think by posting a comment or two!


Over the next month or so, several new bloggers will begin posting - we have program participants reporting from the front lines as "embedded" bloggers and a young mobile journalist (MoJo) who will tell it like she sees it. We're still getting our facebook in order but in the meantime you can always follow us on twitter at HouGrandOpera.

So...what do we have in store? Check back tomorrow for more details...

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HSVS and College Preparation


Thomas Goedecke writes this week's blog. Thomas is a member of the Houston Grand Opera High School Voice Studio, and plans to major in music next year when he heads off to college.

I have been blessed to be apart of the Houston Grand Opera High School Voice Studio program, and to be a student at a performing arts school, and a student to some of the best musicians in the city. But even with these resources college preparation is a difficult task. The first and foremost thing that high school students need to find out is who they are.

It is not necessary to have the next 15 years planned out, but find out what excites you, what makes you happy: will it be something you want to make a career out of, or avoid it in fear of your passion becoming nothing more than work. Or if your undecided thats ok too, but you will know what kind of experience you want to have for the next four years. The second thing is applying for the colleges that match your needs. For me, it was a school with excellent composition and vocal programs. And finish with applications as soon as you possibly can. This is essential if you would like to keep your sanity.
Thirdly is to keep a detailed agenda, down to the last minute. Rehearsals, recitals, auditions, application due dates, scholarship dates, college visits, concerts, and performances are just a fraction of the things that are going to be bombarding you during senior year, and to have when and where these things are at your finger tips is really important.
Finally, forget about having too much of a social life. Keeping up with your studies is important and when your applying for colleges, you simply run out of time. Though keep in mind a night out is important, but just don't allow more improtant things, more urgent things to fall apart because of it.
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Two Non-profits at Once

This week's blog is from Jessica Ford, the HGOco Assistant, who writes about her experiences working for two non-profits of different sizes at the same time.

Since I have started my journey toward a career in arts management, I have often been advised to gain as much real-life experience as possible, because what I need to be successful “can’t be learned in some book”. Taking this idea to heart, I decided to spend the past six months as an intern for two non-profit companies: Houston Grand Opera (HGO) and Fifth Ward Community Redevelopment Corporation (FWCRC). As the months have rolled on, I have come to realize how invaluable the opportunity to work simultaneously at two very distinct non-profits has been. Each job has taught me different things about myself and my abilities, and about the non-profit sector.
FWCRC is a non-profit concerned with home-buying assistance for low-income families in Fifth Ward and other areas of Houston. One of the major projects that has been blooming for 10 years is the development of a small community theatre and library complex in Fifth Ward. My job at FWCRC is to help with the realization of that dream. There are several differences between the two companies, but I have noticed similarities in the environment and some of the procedures in the two companies. For example, while HGO is a large non-profit company with 100+ employees, FWCRC only has 10 employees including the CEO. However, the HGOco department works like a small nonprofit company. The camaraderie shared among my coworkers and me is very similar in each company. There is so much work to be done that every employee helps carry the burden, especially if one particular employee seems overwhelmed. I have noticed within both companies that coworkers regularly advise each other on different projects because it helps achieve the overall goals. However, at HGOco, the work is more specifically delegated to particular positions. At FWCRC, I have helped with marketing a major project, dabbled in a little development work, researched random facts pertaining to anything dealing with building theaters, and other things. Because FWCRC is so small, I have also had the opportunity to participate in board meetings, help prepare for the annual audit, and participate in various planning meetings. I do recognize that even though I am an only an intern in both companies, my opinion matters. I am never given menial busy work in either job, and I am often asked my advice on certain projects that we are doing. This fact surprised me more so in HGO because it is such a large company. But, there seems to be a mutual respect among all departments. There are so many people from various departments who come to my immediate boss for advice pertaining to their work. It is truly a collaborative effort.
Of course, the clientele that each company serves is different as well. Although FWCRC is focused on assisting low income families, a group that I am really determined to work with, I am really impressed with all of the programs and initiatives that HGO has to reach out to all communities, particularly families and communities who have never been exposed to opera. I also enjoy the direct community interaction that I have had with the elementary school project and the Blues Project at HGO. At FWCRC, I have not yet been able to go out into the community. I know that I will be able to become really involved with the community once the Deluxe Theatre is open in Fifth Ward. It’s just nice to be able to connect with the people that will benefit from the hard work that we do.
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Opera to Go! Tour to Midland

Friday Feb. 20- Day 6

Today was our last day of our Midland tour. We woke up early today for our 8:30 am show at St. Mary’s school in San Antonio. We had performed “Magic Flute” at this school last year and had fond memories of the packed room of over 200 kids. This year was like last in that they were very receptive and fun to perform for. I have a feeling this will become a tradition to sing here as the last show of our annual tour.


Opera to Go! can never perform the last show of any run without some added flavor. This final performance of Little Mermaid was no exception. Everything was running smoothly until Cecilia unexpectedly fell on her way off stage after an expected push from Dennis. I wasn’t able to see it, but evidently she fell pretty hard and will most likely have a bruise. She unfortunately had to immediately run back on stage and as the giggles tempted her, she stopped them with a bit of Sprechstimme in an evil “witch tone.” The show continued on without a problem and during the final scene where Princess Agatha (I) throw everything from the basket into the ocean, the Sea King (Dennis) surprised me by throwing everything back at me. That last show prank was a new fun “twist” in our plot, but we quickly got back on track and we triumphantly completed our last show of Little Mermaid.

The kids loved the show and asked us many questions as usual. My favorite was the one that said “Did you know that the octopus was peeking out from behind the set at the end of the show? AND the clam was too!” I said, “WHAT?!!! I HAD NO IDEA!” I love when the kids think that we don’t know what’s going on. They are so cute.

After our show, we loaded the vans and headed back home. We HAD to stop at the infamous Buc Ee’s on our way home because I still had some treats I wanted to get. We continued on a bit farther and ate at Frank’s restaurant where evidently “Those who know eat here.” It was good food and 80 minutes later we were home.

This tour of Little Mermaid was a joy for all of us to be in. It was well received by everyone and I know that each of us in the cast will miss it. Now our cast breaks into 2 groups for the rest of the season. Cecilia, Alex, and Erin will begin working on Romeo & Juliet, and Dennis, Michael, and I will work on Daughter of the Regiment. We will miss this group but we know it will not be the last time we sing together. There is always next season.

Hannah Lu, Princess Agatha in Opera to Go!'s Little Mermaid
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